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It's impossible not to wonder what he might have done next.\" - Sheri Linden, Hollywood Reporter\n","path":"video\/cane-river","images":{"screenshots":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_small\/video-assets\/7224737_landscape_1581528868.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_medium\/video-assets\/7224737_landscape_1581528868.jpg","large":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_large\/video-assets\/7224737_landscape_1581528868.jpg"},"posters":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_small\/video-assets\/7224737_poster_1581528905.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_medium\/video-assets\/7224737_poster_1581528905.jpg","large":null},"roku":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_small\/video-assets\/7224737_landscape_1581528868.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_medium\/video-assets\/7224737_landscape_1581528868.jpg","large":null}},"classification":"NR","has_burnt_in_captions":0,"has_captions":1,"year_of_production":1982,"running_time":6277,"subtype":"product","user_latest_item_played":null,"owned_content":0,"director":null,"cast":null,"video_language":"","popular":0,"is_series":0,"comment_policy":2,"comment_count":23,"is_in_watchlist":0,"taxonomies":{"subjects":[{"tid":29295,"name":"Drama","vid":3,"vocabulary":"Catalog"},{"tid":9513,"name":"Movies","vid":3,"vocabulary":"Catalog"},{"tid":29297,"name":"Romance","vid":3,"vocabulary":"Catalog"}],"filmmakers":[{"tid":47666,"name":"Horace B. 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Films in this collection include, GREETINGS FROM AFRICA, THE POTLUCK AND THE PASSION, AN UNTITLED PORTRAIT, VANILLA SEX, SHE DON'T FADE, and JANINE.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dunye's delightful early short films - her 'Dunyementaries' - fuse humor, intelligence and drama in the world of urban, young black lesbians as they make their way through the murky waters of love, friendship and dating.\" - \u003cstrong\u003eOutFest Los Angeles\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The lesbian Spike Lee...she's hysterically funny.\" - \u003cstrong\u003eNewsday\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n","description_text":"Vilified by conservatives in Congress, defended by major newspapers, and celebrated by audiences and festivals around the world as one of the most provocative, humorous and important filmmakers of our time, Cheryl Dunye practically invented a new form of cinema - call it the 'Dunyementary.'\nPresented here are the films that started it all - the early works which gave birth to an extraordinary and original filmmaking talent. Made with great creativity on often miniscule budgets, they represent the first chapter of the Cheryl Dunye oeuvre. Films in this collection include, GREETINGS FROM AFRICA, THE POTLUCK AND THE PASSION, AN UNTITLED PORTRAIT, VANILLA SEX, SHE DON'T FADE, and JANINE.\n\"Dunye's delightful early short films - her 'Dunyementaries' - fuse humor, intelligence and drama in the world of urban, young black lesbians as they make their way through the murky waters of love, friendship and dating.\" - OutFest Los Angeles\n\"The lesbian Spike Lee...she's hysterically funny.\" - Newsday\n","path":"video\/early-works-cheryl-dunye","images":{"screenshots":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_small\/video-assets\/1463078_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_medium\/video-assets\/1463078_landscape.jpg","large":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_large\/video-assets\/1463078_landscape.jpg"},"posters":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_small\/video-assets\/1463078_poster.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_medium\/video-assets\/1463078_poster.jpg","large":null},"roku":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_small\/video-assets\/1463078_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_medium\/video-assets\/1463078_landscape.jpg","large":null}},"classification":"R","has_burnt_in_captions":0,"has_captions":1,"year_of_production":1994,"running_time":4310,"subtype":"product","user_latest_item_played":null,"owned_content":0,"director":null,"cast":null,"video_language":"","popular":0,"is_series":0,"comment_policy":2,"comment_count":6,"is_in_watchlist":0,"taxonomies":{"subjects":[{"tid":36,"name":"Experimental\/Alternative Media","vid":3,"vocabulary":"Catalog"},{"tid":65,"name":"Film Studies","vid":3,"vocabulary":"Catalog"},{"tid":9513,"name":"Movies","vid":3,"vocabulary":"Catalog"},{"tid":874,"name":"LGBT","vid":3,"vocabulary":"Catalog"},{"tid":29301,"name":"LGBTQ Cinema","vid":3,"vocabulary":"Catalog"},{"tid":30163,"name":"Short Film","vid":3,"vocabulary":"Catalog"}],"filmmakers":[{"tid":3528,"name":"Cheryl Dunye","vid":12,"vocabulary":"Filmmakers"}],"cast":[{"tid":26846,"name":"Cheryl Dunye","vid":13,"vocabulary":"Features"},{"tid":26848,"name":"Gail Lloyd","vid":13,"vocabulary":"Features"},{"tid":26849,"name":"Nora Breen","vid":13,"vocabulary":"Features"},{"tid":26847,"name":"Zoie Strauss","vid":13,"vocabulary":"Features"}],"languages":[{"tid":929,"name":"English","vid":14,"vocabulary":"Languages"}],"tags":[{"tid":15050,"name":"African American Cinema","vid":11,"vocabulary":"Tags"},{"tid":40898,"name":"Black History Month","vid":11,"vocabulary":"Tags"},{"tid":36614,"name":"Classic American Independent Film","vid":11,"vocabulary":"Tags"},{"tid":37564,"name":"Classic Independent Cinema","vid":11,"vocabulary":"Tags"},{"tid":14438,"name":"Directed by Women","vid":11,"vocabulary":"Tags"},{"tid":9687,"name":"LGBT Artists","vid":11,"vocabulary":"Tags"},{"tid":28966,"name":"LGBT Filmmaker","vid":11,"vocabulary":"Tags"},{"tid":10766,"name":"Trending Now","vid":11,"vocabulary":"Tags"},{"tid":15759,"name":"Women's History Month","vid":11,"vocabulary":"Tags"}]},"ratings":{"count":240,"average":4,"user":null},"user_latest_play":null,"user_progress_percentage":null,"is_kids_content":false,"csm_recommended_age":null,"csm_url":null},{"nid":2411229,"status":1,"status_key":"active","created":1519844124,"changed":1519844124,"title":"The Harder They Come","tagline":null,"supplier_name":"Xenon Pictures","description_html":"\u003cp\u003eIvanhoe Martin (Jimmy Cliff) arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, \"The Harder They Come,\" but after a bitter dispute with a manipulative producer named Hilton (Bob Charlton), soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status, all while his record is topping the charts.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The definitive postcolonial cult-movie musical.\" - Melissa Anderson, \u003cstrong\u003eVillage Voice\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"THE HARDER THEY COME is always exuberant, and sometimes strong, as casually surprising and effortlessly sinister as the blade sliding out of a gravity knife.\" - Jay Cocks, \u003cstrong\u003eTIME Magazine\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n","description_text":"Ivanhoe Martin (Jimmy Cliff) arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, \"The Harder They Come,\" but after a bitter dispute with a manipulative producer named Hilton (Bob Charlton), soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status, all while his record is topping the charts.\n\"The definitive postcolonial cult-movie musical.\" - Melissa Anderson, Village Voice\n\"THE HARDER THEY COME is always exuberant, and sometimes strong, as casually surprising and effortlessly sinister as the blade sliding out of a gravity knife.\" - Jay Cocks, TIME Magazine\n","path":"video\/harder-they-come-0","images":{"screenshots":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_small\/video-assets\/3411228_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_medium\/video-assets\/3411228_landscape.jpg","large":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_large\/video-assets\/3411228_landscape.jpg"},"posters":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_small\/video-assets\/3411228_poster.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_medium\/video-assets\/3411228_poster.jpg","large":null},"roku":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_small\/video-assets\/3411228_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_medium\/video-assets\/3411228_landscape.jpg","large":null}},"classification":"R","has_burnt_in_captions":0,"has_captions":1,"year_of_production":1974,"running_time":6198,"subtype":"product","user_latest_item_played":null,"owned_content":0,"director":null,"cast":null,"video_language":"","popular":0,"is_series":0,"comment_policy":2,"comment_count":8,"is_in_watchlist":0,"taxonomies":{"subjects":[{"tid":29302,"name":"Classic Cinema","vid":3,"vocabulary":"Catalog"},{"tid":65,"name":"Film Studies","vid":3,"vocabulary":"Catalog"},{"tid":9513,"name":"Movies","vid":3,"vocabulary":"Catalog"},{"tid":67,"name":"Music","vid":3,"vocabulary":"Catalog"}],"filmmakers":[{"tid":5312,"name":"Perry Henzell","vid":12,"vocabulary":"Filmmakers"}],"cast":[{"tid":5314,"name":"Carl Bradshaw","vid":13,"vocabulary":"Features"},{"tid":4982,"name":"Jimmy Cliff","vid":13,"vocabulary":"Features"},{"tid":33804,"name":"Ras Daniel Hartman","vid":13,"vocabulary":"Features"},{"tid":33806,"name":"Toots \u0026 The Maytals","vid":13,"vocabulary":"Features"},{"tid":33805,"name":"Winston Stona","vid":13,"vocabulary":"Features"}],"languages":[{"tid":929,"name":"English","vid":14,"vocabulary":"Languages"}],"tags":[{"tid":30245,"name":"At the Movies","vid":11,"vocabulary":"Tags"},{"tid":12579,"name":"Biography","vid":11,"vocabulary":"Tags"},{"tid":33888,"name":"Blaxploitation","vid":11,"vocabulary":"Tags"},{"tid":9702,"name":"Crime","vid":11,"vocabulary":"Tags"},{"tid":9711,"name":"Cult Films","vid":11,"vocabulary":"Tags"},{"tid":12604,"name":"Reggae","vid":11,"vocabulary":"Tags"},{"tid":37555,"name":"Third Cinema","vid":11,"vocabulary":"Tags"}]},"ratings":{"count":159,"average":4,"user":null},"user_latest_play":null,"user_progress_percentage":null,"is_kids_content":false,"csm_recommended_age":null,"csm_url":null},{"nid":2288462,"status":1,"status_key":"active","created":1533924099,"changed":1533938882,"title":"Illusions","tagline":null,"supplier_name":"Women Make Movies","description_html":"\u003cp\u003eThis critically acclaimed drama from filmmaker Julie Dash (DAUGHTERS OF THE DUST) takes place in 1942 at a fictitious Hollywood motion picture studio. Mignon Dupree, a Black woman studio executive who appears to be white, and Ester Jeeter, an African American woman who is the singing voice for a white Hollywood star, are forced to come to grips with a society that perpetuates false images as status quo.\u003c\/p\u003e\n\u003cp\u003eThe film follows Mignon's dilemma, Ester's struggle, and the use of cinema in wartime Hollywood: three illusions in conflict with reality.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Mckee's strong performance and growing awareness throughout the film makes it both dramatically satisfying and also richly nuanced with issues of cultural appropriation and cooptation of black music and culture for commercial gain... The film's relevance to some of today's mainstream film and music industries and the dismissal and appropriation of black stories is also telling.\" - \u003cstrong\u003eIndieWire\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n","description_text":"This critically acclaimed drama from filmmaker Julie Dash (DAUGHTERS OF THE DUST) takes place in 1942 at a fictitious Hollywood motion picture studio. Mignon Dupree, a Black woman studio executive who appears to be white, and Ester Jeeter, an African American woman who is the singing voice for a white Hollywood star, are forced to come to grips with a society that perpetuates false images as status quo.\nThe film follows Mignon's dilemma, Ester's struggle, and the use of cinema in wartime Hollywood: three illusions in conflict with reality.\n\"Mckee's strong performance and growing awareness throughout the film makes it both dramatically satisfying and also richly nuanced with issues of cultural appropriation and cooptation of black music and culture for commercial gain... The film's relevance to some of today's mainstream film and music industries and the dismissal and appropriation of black stories is also telling.\" - IndieWire\n","path":"video\/illusions-0","images":{"screenshots":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_small\/video-assets\/3288461_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_medium\/video-assets\/3288461_landscape.jpg","large":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_large\/video-assets\/3288461_landscape.jpg"},"posters":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_small\/video-assets\/3288461_poster.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_medium\/video-assets\/3288461_poster.jpg","large":null},"roku":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_small\/video-assets\/3288461_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_medium\/video-assets\/3288461_landscape.jpg","large":null}},"classification":"E","has_burnt_in_captions":0,"has_captions":1,"year_of_production":1983,"running_time":2164,"subtype":"product","user_latest_item_played":null,"owned_content":0,"director":null,"cast":null,"video_language":"","popular":0,"is_series":0,"comment_policy":2,"comment_count":4,"is_in_watchlist":0,"taxonomies":{"subjects":[{"tid":29361,"name":"Independent Cinema","vid":3,"vocabulary":"Catalog"},{"tid":29295,"name":"Drama","vid":3,"vocabulary":"Catalog"},{"tid":65,"name":"Film Studies","vid":3,"vocabulary":"Catalog"},{"tid":9513,"name":"Movies","vid":3,"vocabulary":"Catalog"},{"tid":621,"name":"North American Studies","vid":3,"vocabulary":"Catalog"},{"tid":24,"name":"Race \u0026 Class Studies","vid":3,"vocabulary":"Catalog"},{"tid":30163,"name":"Short Film","vid":3,"vocabulary":"Catalog"}],"filmmakers":[{"tid":33581,"name":"Julie Dash","vid":12,"vocabulary":"Filmmakers"}],"cast":[],"languages":[{"tid":929,"name":"English","vid":14,"vocabulary":"Languages"}],"tags":[{"tid":15050,"name":"African American Cinema","vid":11,"vocabulary":"Tags"},{"tid":36614,"name":"Classic American Independent Film","vid":11,"vocabulary":"Tags"},{"tid":37564,"name":"Classic Independent Cinema","vid":11,"vocabulary":"Tags"},{"tid":14438,"name":"Directed by Women","vid":11,"vocabulary":"Tags"},{"tid":37008,"name":"Featured in the New Yorker","vid":11,"vocabulary":"Tags"},{"tid":37007,"name":"Featured in the News","vid":11,"vocabulary":"Tags"},{"tid":10683,"name":"Meta","vid":11,"vocabulary":"Tags"},{"tid":36902,"name":"Movies About Movies","vid":11,"vocabulary":"Tags"},{"tid":10766,"name":"Trending Now","vid":11,"vocabulary":"Tags"}]},"ratings":{"count":134,"average":4,"user":null},"user_latest_play":null,"user_progress_percentage":null,"is_kids_content":false,"csm_recommended_age":null,"csm_url":null},{"nid":2411231,"status":1,"status_key":"active","created":1520103326,"changed":1520301898,"title":"Sweet Sweetback\u2019s Baadasssss Song","tagline":null,"supplier_name":"Xenon Pictures","description_html":"\u003cp\u003eMelvin Van Peebles' groundbreaking classic. A young hustler's aimless pleasure seeking turns to radicalism after witnessing the beating of a black revolutionary by two white cops.  Driven to a state of blind rage, Sweetback takes brutal revenge on the cops, forcing him into a desperate life on the run.\u003c\/p\u003e\n\u003cp\u003eDespite a humble opening at only two theaters followed by a torrent of negative reviews, SWEET SWEETBACK'S BAADASSSSS SONG mushroomed to $10,000,000 at the box office, landing it on \u003cem\u003eDaily Variety's\u003c\/em\u003e list of top-grossing independent films.  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Driven to a state of blind rage, Sweetback takes brutal revenge on the cops, forcing him into a desperate life on the run.\nDespite a humble opening at only two theaters followed by a torrent of negative reviews, SWEET SWEETBACK'S BAADASSSSS SONG mushroomed to $10,000,000 at the box office, landing it on Daily Variety's list of top-grossing independent films.  It is credited as the film that kicked off the so-called \"Blaxploitation\" film movement.\n\"[SWEETBACK] accumulates a kind of hallucinatory groove, with unexpected shafts of bizarre humor and vigorous, experimental new wave direction.\" - Geoff Andrew, Time Out\n\"A series of stark, earthy vignettes, Van Peebles evokes the vitality, humor, pain, despair and omnipresent fear that is life for so many African-Americans.\" - Kevin Thomas, The Los Angeles Times\n","path":"video\/sweet-sweetback-s-baadasssss-song","images":{"screenshots":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_small\/video-assets\/3411230_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_medium\/video-assets\/3411230_landscape.jpg","large":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_large\/video-assets\/3411230_landscape.jpg"},"posters":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_small\/video-assets\/3411230_poster.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_medium\/video-assets\/3411230_poster.jpg","large":null},"roku":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_small\/video-assets\/3411230_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_medium\/video-assets\/3411230_landscape.jpg","large":null}},"classification":"R","has_burnt_in_captions":0,"has_captions":1,"year_of_production":1971,"running_time":5840,"subtype":"product","user_latest_item_played":null,"owned_content":0,"director":null,"cast":null,"video_language":"","popular":0,"is_series":0,"comment_policy":2,"comment_count":4,"is_in_watchlist":0,"taxonomies":{"subjects":[{"tid":29361,"name":"Independent Cinema","vid":3,"vocabulary":"Catalog"},{"tid":29302,"name":"Classic Cinema","vid":3,"vocabulary":"Catalog"},{"tid":29295,"name":"Drama","vid":3,"vocabulary":"Catalog"},{"tid":65,"name":"Film Studies","vid":3,"vocabulary":"Catalog"},{"tid":9513,"name":"Movies","vid":3,"vocabulary":"Catalog"}],"filmmakers":[{"tid":33807,"name":"Melvin Van Peebles","vid":12,"vocabulary":"Filmmakers"}],"cast":[{"tid":33809,"name":"Hubert Scales","vid":13,"vocabulary":"Features"},{"tid":33808,"name":"Melvin Van Peebles","vid":13,"vocabulary":"Features"}],"languages":[{"tid":929,"name":"English","vid":14,"vocabulary":"Languages"}],"tags":[{"tid":15050,"name":"African American Cinema","vid":11,"vocabulary":"Tags"},{"tid":30245,"name":"At the Movies","vid":11,"vocabulary":"Tags"},{"tid":40898,"name":"Black History Month","vid":11,"vocabulary":"Tags"},{"tid":33888,"name":"Blaxploitation","vid":11,"vocabulary":"Tags"},{"tid":36614,"name":"Classic American Independent Film","vid":11,"vocabulary":"Tags"},{"tid":37564,"name":"Classic Independent Cinema","vid":11,"vocabulary":"Tags"},{"tid":9702,"name":"Crime","vid":11,"vocabulary":"Tags"},{"tid":9711,"name":"Cult Films","vid":11,"vocabulary":"Tags"},{"tid":10687,"name":"Political Cinema","vid":11,"vocabulary":"Tags"},{"tid":37555,"name":"Third Cinema","vid":11,"vocabulary":"Tags"},{"tid":27302,"name":"Thriller","vid":11,"vocabulary":"Tags"}]},"ratings":{"count":170,"average":4,"user":null},"user_latest_play":null,"user_progress_percentage":null,"is_kids_content":false,"csm_recommended_age":null,"csm_url":null},{"nid":4938455,"status":1,"status_key":"active","created":1539042528,"changed":1539101300,"title":"Personal Problems","tagline":null,"supplier_name":"Kino Lorber","description_html":"\u003cp\u003eThis entirely African American-conceived and produced ensemble drama is the result of a collaboration of a pair of pioneering Black artists: writer Ishmael Reed and filmmaker Bill Gunn, who wrote and directed the underground classic \u003cem\u003eGanja \u0026 Hess\u003c\/em\u003e and wrote the screenplay for Hal Ashby's \u003cem\u003eThe Landlord\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eOriginally intended to air on public television in 1980, it went unseen for many years; 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It's one of the highlights of 2014.\" - Michael Phillips, The Chicago Tribune\n","path":"video\/force-majeure-0","images":{"screenshots":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_small\/video-assets\/4529175_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_medium\/video-assets\/4529175_landscape.jpg","large":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_thumbnail_large\/video-assets\/4529175_landscape.jpg"},"posters":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_small\/video-assets\/4529175_poster.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/vp_poster_medium\/video-assets\/4529175_poster.jpg","large":null},"roku":{"small":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_small\/video-assets\/4529175_landscape.jpg","medium":"https:\/\/www.kanopy.com\/sites\/default\/files\/imagecache\/roku_thumbnail_medium\/video-assets\/4529175_landscape.jpg","large":null}},"classification":"E","has_burnt_in_captions":1,"has_captions":1,"year_of_production":2014,"running_time":6897,"subtype":"product","user_latest_item_played":null,"owned_content":0,"director":null,"cast":null,"video_language":"","popular":0,"is_series":0,"comment_policy":2,"comment_count":20,"is_in_watchlist":0,"taxonomies":{"subjects":[{"tid":705,"name":"World Cinema","vid":3,"vocabulary":"Catalog"},{"tid":29295,"name":"Drama","vid":3,"vocabulary":"Catalog"},{"tid":29296,"name":"Comedy","vid":3,"vocabulary":"Catalog"},{"tid":124,"name":"European\/Baltic Studies","vid":3,"vocabulary":"Catalog"},{"tid":9513,"name":"Movies","vid":3,"vocabulary":"Catalog"}],"filmmakers":[{"tid":29026,"name":"Ruben \u00d6stlund","vid":12,"vocabulary":"Filmmakers"}],"cast":[{"tid":32976,"name":"Clara Wettergren","vid":13,"vocabulary":"Features"},{"tid":32979,"name":"Fanni Metelius","vid":13,"vocabulary":"Features"},{"tid":32974,"name":"Johannes Bah Kuhnke","vid":13,"vocabulary":"Features"},{"tid":32978,"name":"Kristofer Hivju","vid":13,"vocabulary":"Features"},{"tid":32975,"name":"Lisa Loven Kongsli","vid":13,"vocabulary":"Features"},{"tid":32977,"name":"Vincent Wettergren","vid":13,"vocabulary":"Features"}],"languages":[{"tid":929,"name":"English","vid":14,"vocabulary":"Languages"},{"tid":1584,"name":"French","vid":14,"vocabulary":"Languages"},{"tid":8076,"name":"Norwegian","vid":14,"vocabulary":"Languages"},{"tid":3849,"name":"Swedish","vid":14,"vocabulary":"Languages"}],"tags":[{"tid":28648,"name":"BAFTA Awards","vid":11,"vocabulary":"Tags"},{"tid":47168,"name":"Best Films of the 2010s","vid":11,"vocabulary":"Tags"},{"tid":10911,"name":"Black Comedy","vid":11,"vocabulary":"Tags"},{"tid":17580,"name":"Cannes Film Festival","vid":11,"vocabulary":"Tags"},{"tid":36085,"name":"Dramedy","vid":11,"vocabulary":"Tags"},{"tid":28829,"name":"Golden Globes","vid":11,"vocabulary":"Tags"},{"tid":28539,"name":"New York Times Critics' Picks","vid":11,"vocabulary":"Tags"},{"tid":9975,"name":"Nordic Cinema","vid":11,"vocabulary":"Tags"},{"tid":35428,"name":"Popular World Cinema","vid":11,"vocabulary":"Tags"},{"tid":10766,"name":"Trending Now","vid":11,"vocabulary":"Tags"}]},"ratings":{"count":313,"average":4,"user":null},"user_latest_play":null,"user_progress_percentage":null,"is_kids_content":false,"csm_recommended_age":null,"csm_url":null},{"nid":4208773,"status":1,"status_key":"active","created":1541085957,"changed":1541087635,"title":"Dawson City: Frozen Time","tagline":"The Buried History of a Gold Rush Town Found on Nitrate Film","supplier_name":"Kino Lorber","description_html":"\u003cp\u003eThis meditation on cinema's past from pieces together the bizarre true history of a long-lost collection of 533 nitrate film prints from the early 1900s. 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